You can explain this by comparing to good novels, which are full of literary devices an author uses to bring his message home (cliff-hangers, flashbacks, plot twists, foreshadowing, etc.). Another technique sometimes used is what you could call “real estate”: how much ink does an author spill for a key scene in the narrative? The activity in that scene may in reality only span twenty minutes, but in a book of two hundred pages covering a year of activity, that one scene may take up thirty pages. So, relative to the timeline of the rest of the book, that one scene covers a lot of real estate. The author wants to draw special attention to this scene by slowing down the narrative, by building suspense, giving you every last detail. Ahab’s reign marked a major turn in the road for Israel. To bring that across, the author of 1 Kings uses the device of “real estate.” Ever since the division of the kingdom in 1 Kings 11:1–43, the author has been moving through the reigns of the kings of Israel very quickly. But all of that slows right down when he reaches the reign of Ahab at the end of chapter 16. From there to nearly the end of the book at 1 Kings 22:1–53—roughly six chapters in total—the author focuses in on the reign of this man. And at the same time, he focuses on the work of Elijah during Ahab’s reign. 1 Kings 16:34really marks the pivot point in the book.
34 De son temps, Hiel de Béthel bâtit Jéricho; il en jeta les fondements au prix d'Abiram, son premier-né, et il en posa les portes au prix de Segub, son plus jeune fils, selon la parole que l'Eternel avait dite par Josué, fils de Nun.